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I was at a loss for words like Fiascogate.ģ. I know over your head, but your a retard.īest lines: While other artist is obsessed with more toys, like lex, coupes, beamers, benzes, they Lost Boyz. The difference is that fade out effect actually works here, because philosophically Budden’s is saying one’s problems are never over and cannot fit within a 4 minute song. This is in the same vein as Nas’s “Made You Look” and that Wu song where Ghost Face goes off and the lyrics just fade out. Budden sets the mood as man that has been beaten, broken and left for dead but has come from the dead with a sick passion to prove he is the best.
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This is the best intro since Hov’s Dynasty joint, I would even say it’s better. And then the beat drops and you can’t help but smile, cause this man goes in. Let’s not even get into the punchlines…now check the break down foo!Īlbum starts of with Joey checking his phone messages about his absence. To the untrained ear or the late comers, who will likely disagree with this rating, your a retard but I know you will come on board sooner or later. Sonically this album is a throw back to neck snapping beats, muddied vocals recorded in a basement and DJ On Point giving random shut outs at the most inappropriate times -it’s so Eric B & Rakim. Oh yes and there also a few jabs thrown at Hov. His subject matter remains personal touching on the shooting of his brother, his wifey, his son and the current state of rap music. This is a total departure from the current two 16 bars about nothing we are used to hearing. Budden’s spits 100 bars at the most and 32 bars at the least. Scary isn’t? MM3 is the first album to ever receive five stars from YoRapper and is the greatest piece of music of the decade. The release of MM3 forces listeners, for better or worse, to actually listen and even listen again. In other words, rap has become so mainstream that it now caters to the lowest common denominator -the dumb asses of the world, whom incidentally make up the majority of the world. Rap music has dumbed down to a point where even the casual listener will be able to “get” every single lyric and “the point” of the song from the very first listen. You see since Fifty came out, the South, the Snap, the Soulja Boys, the way that even the most die hard rap fans listen to music has changed -for the worse. Having departed from club songs since his debut album, Joe Budden has stuck to the script by basically making rap music.
#JOE BUDDEN ALBUMS SONGS SERIES#
Sorry, that’s like a rule of thumb for me.Since the Mood Muzik series began, Budden has been slowly gaining recognition from the lower levels of hip hop as one of the best song writers in hip hop today. Yo, when your man stop inviting you to the studio, you’re not getting me to listen to what you’re doing. man won’t call him to come to the fucking studio. “Is on Tyler’s album before that album? How about the one before that one? All right, yo. What was it, was it Nas’ album that he did that shit? He just goes off on every feature.”Īlso in the episode, Budden touched on his thoughts on Earl Sweatshirt’s new record, which he admits he never even listened to. The host brought up the argument that Earl doesn’t appear on Tyler, the Creator’s last few albums. Don’t do it with n-s that are putting out 12- or 16-bar songs. ‘Hey, rap all you want cause Imma do it too. “He can rap for 5 minutes on Lil Wayne song but Wayne is never putting it out without Wayne rapping for 6 minutes,” Budden said. “That will never happen. Budden used Lil Wayne as an example, sharing that Wanye is “gonna do it back.”
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Budden continued, arguing that if Eminem keeps requiring artists to be “extending the beat” for him whenever he hops on a feature, they should match the time that he takes on the mic.